TOP, from (“What My Pussy Loves“) © Liana Yang, 2012 It’s always good to step out of my self-imposed exile and revisit old friends. Went to 2902 Gallery over the weekend to check out the new exhibition – Zoological, featuring…
TOP, Untitled, 2012 © Ch’ng Yaohong, 2012 As I wind down this year, I am truly grateful and thankful for many things in my life. While the frequency of my posts has dropped drastically, I am constantly reminded that I…
Sam Chin, a young documentary photographer based in Singapore, has turned his lens mainly toward societal and environmental issues in recent years. His latest series, SuperHeroes, focuses on migrant workers in Singapore but not in the traditional photojournalistic angle. TOP…
Documentary Arts Asia wants to reward documentary photographers and filmmakers working with passion and conviction on quality projects in Asia. DAA is a Chiang Mai based non-profit organization working primarily in photography and film, but also in audio and narrative…
TOP TO BOTTOM, from (“The Queen, The Chairman and I“) © Kurt Tong, 2012 Originally from Hong Kong, spent two thirds of his life in England. The Queen, The Chairman and I is a project that traces his roots through…
After months of absence, I found out that the blog was hacked with some nasty wordpress codes. Tried my best to restore whatever I could find and I hope things are working again. Cracked my geek knuckles, did a backup…
TOP TO BOTTOM, from (“Enticement.Solitary“) © Tanmoy Nayak, 2011 I particularly liked this set of diptychs by young and talented photographer, Tanmoy Nayak, from Calcutta. More on his flickr stream.
TOP TO BOTTOM, from (“Fantasies“) © Paolo Morales, 2011 Don’t we fall prey to the boundless depths of our fantasies at times? Paolo Morales used the camera as a tool to construct relationships with women, not picking them up from…
TOP TO BOTTOM, from (“Creatures of Habit, A Race Divided, Marked“) © Veejay Villafranca Filipino photojournalist Veejay Villafranca tackles serious social issues with a keen eye for dramatic compositions. Check out his portfolio here.
TOP, from (“Good Night, Sleepless Night“) © Charles Nikolas Buenconsejo MIDDLE, from (“The Unaccustomed Earth Everything in Its Right Place“) © Dagos Santos Jabagat BOTTOM, from (“In Ramble“) © Arjay Arevalo Put a bunch of creative types together and you…
TOP, © Ch’ng Yaohong, 2011 Hello, I’m back. Lost my soul somewhere along the way but I think it’s time I reclaim something that’s mine. Lots of life changes this year and I’ve been busy adjusting to things. Seems like…
TOP TO BOTTOM, from (“Any“) © Masashi Ohata Daily observations of life, light as a feather. Masashi Ohata trains his eye on familiar everyday scenes, imbuing them with a dream-like quality. Do you dream in technicolor? More on his portfolio.
TOP TO BOTTOM, from (“Stages“) © Shen Chao-Liang, 2006-2009 “The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak.” – Antonin Artaud, The Theater And Its Double Taiwanese…
Over the Lunar New Year weekend, I had a discussion on the local (re: Singapore/Malaysian/ASEAN) art scene with a relative of mine. He mentioned that recently, there hasn’t been anything new and exciting; shows were mostly rehashes of old works…
Here’s wishing everybody a happy lunar new year and lots of prosperity in the year of the Rabbit! Will be stuffing my face with goodies. :)
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