Stephen JB Kelly

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TOP TO BOTTOM, from (“Qi Lihe“)
© Stephen Kelly, 2009

Stephen JB Kelly documented the lives of ethnic Muslim minorities living in Lanzhou, a city in China’s north west. The government’s treatment of the Uighurs have dominated the news in recent months. Stephen’s series comes at a right time, shedding light onto a world previously ignored by the outside world.

From his statement:

Qi Lihe is home to thousands of Muslim migrant families who have left their homeland within the Linxia Hui autonomous prefecture and arrived into the city searching for job opportunities and ultimately, a better life. For hundreds of years the Hui and Dongxiang Muslim minorities have farmed the arid land surrounding their ancestral villages. In recent years though, desertification has forced this once workable landscape to begin a dramatic change, impelling many modern day farmers and their families to seek a better existence in Lanzhou.

The work is a documentation of culture, modernization, oppression and environmental destruction all rolled into one. This is a story that has been repeated too many times in our short history. Once again, we’re reminded of the things we leave behind in the name of progress.

Visit his online portfolio to see the rest of the series.

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Posted in Asia, China, Documentary | 4 Comments

Simple Style

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TOP, © Zephyrance Lou

Simple Style is an indie blog that aims to encourage and inspire the creative class. Edited by Qing Zhou and Weimar Yao from Shanghai and Guangdong respectively, it’s an excellent launchpad into the design/art/photography/music world found in China and beyond. Well, the only drawback is that it’s written in mandarin but good work translates all languages! I think I may just start collaborating with them to port some of the amazing finds over here.

Oh and they wrote an excellent post about me recently and I’m returning the favor. (A beautifully written introduction, if I may add.) :)

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Posted in Asia | 2 Comments

Art Incubator

The Art Incubator Residency Program is a professional development opportunity for Singaporean artists below 35. It will offer two local residencies and one overseas residency in 2010. Residents will be given a studio space, assigned a mentor and develop new work. They will pay you a stipend of S$1000 for sustenance and S$3000 for materials and production. It’s a community-based project that will emphasize interaction with other artists, curators and writers. If you’re eligible, please apply here.

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Takashi Homma

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TOP TO MIDDLE, from (“Tokyo Suburbia“)
© Takashi Homma, 1998

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BOTTOM, from (“New Waves“)
© Takashi Homma, 2003

Takashi Homma captures the dark ominous side of Tokyo in the late nineties in his series ‘Tokyo Suburbia’. Japan was at the cusp of an economic doldrum, where an asset bubble caused many subsequent years of recession. It was this darkness that swallowed the dreams of many individuals, where the young grew up disconnected from society.

With a detached eye, Takashi recorded the suburban houses that residents left behind on weekends and the youths roaming the streets. The empty streets and houses become a reflection of the people it housed. The future of the nation posing with an air of nonchalance and defiance. More than a decade later, how has this changed?

More about the photographer here.

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Posted in Japan | Leave a comment

Dayoung Kang

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TOP TO BOTTOM, from (“swallow“)
© Dayoung Kang, 2009

Dayoung Kang’s swallow series depicts the anonymity and lack of identity in modern society. Faceless characters inhabit the images; unable to communicate with others in the society. The hidden wounds we carry haunt us, yet we continue to swallow the pain. Visit her website here.

This will be the last in the feature on Chung-ang University. I hoped you enjoyed it.

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Posted in Art, Korea | 2 Comments

Siyeon Park

Siyeon Park’s series reminds one of August Sander’s portraits of the People of the 20th Century, a typological look at school-going girls in Korea. The girls bear an eerie resemblance to each other, blank stares fixated on their faces.

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Su-yeon Choi: Who cries all the time over everything

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Ji-in Kim: Who hates to wear school uniform

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Na-hee un: Who doesn’t know what to do in the future
TOP TO BOTTOM, from (“colorless“)
© Siyeon Park, 2009

From her statement:

When I was young, I couldn’t even have a meal with my family…so I ate at my mother’s car all the time on the way to the academy. I didn’t know that what am I doing here and why should I do this for 19 years. I just did because everyone was doing the same thing…I was like a robot in a factory. This story is not only mine but of all Korean students.

While it contains elements of teenage angst and feelings of being lost in the world, I’m sure it could easily be applied to most people out there. How many of us know our ultimate destination? We’re all just groping around blindly in this world and most times, we have to fit into the mould that society imposes on us.

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Posted in Korea, Portraits | 3 Comments

Kwon Ji hyun

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Kwon Ji hyun: I’m so sorry. I’m just, just photographing in the messed up world.

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Andreas Heinrich: I’m just a small part of the whole. This will accompany me eternally. I will always only be a part of the whole. This is my fate and destiny.

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Aruna Jawahahnnedig: I hope everyone is fine and will be doing fine in the future. I’m the person who could survive in the Tsunami disaster.

TOP TO BOTTOM, from (“The Guilty“)
© Kwon Ji-hyun, 2009

Kwon Ji hyun won the Best Portfolio award at the Bratislava Month of Photography. Her series, The Guilty, engaged the topic of social consciousness and responsibility. Through the series, she tried to reconcile the guilt of being an artist while the rest of the world continues in persistent suffering.

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Posted in Art, Contemporary, Korea | 2 Comments

Noriko Ishihara

Noriko Ishihara’s works explores the inner human condition. Within our cages lie a multitude of concerns and fears – things that frighten us. The series questions the individual’s inner being and represents them in a whole new light.

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TOP TO BOTTOM, from (“?? (silent and loneliness) world“)
© Noriko Ishihara, 2009

Highly abstruse, the images’ visual references and palette create an ominous and fantastical feel to the entire series. Yet, beneath the abstract layers lie truths kept away from the world.

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Posted in Art, Contemporary, Japan, Korea | 2 Comments

Kim Ji-Hye

Kim Ji-Hye approached a subject that affects roughly half the human population – the menstrual cycle. She approached individuals who shared with her their greatest concerns/peeves about it and transformed these stories into caricatures.

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TOP TO BOTTOM, from (“Menstrual Cycle“)
© Kim Ji-Hye, 2009

For an act as natural as breathing, the topic remains mostly shrouded in mystery for the other half of the human population. Scenes of physical/mental changes, heightened senses and embarrassment are revealed through her images and perhaps bring a little light onto a topic that is usually avoided.

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Posted in Art, Contemporary, Korea | Leave a comment

Serry Park

Serry Park’s series, XO pale white, delineates the meaning of objects in our daily lives. A minimalist piece of work, the simplicity of the images hides the amount of effort placed in creating the set.

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TOP TO BOTTOM, from (“XO pale white“)
© Serry Park, 2009

From her statement:

I cannot open the window, nor watch the clock in my room. The only thing I can do now is to see the daylight from the windows, touch [the] fabric and fall asleep. I and the room, we both could take a rest. Only light and time flow in this room without any will. Then I feel like I finally give a complete denial of what is considered significantly.

She covered her entire room in fabric, removing the functions of the objects that surround her. The private space is turned into an ideal, leaving behind an impression of the prior functional aspects. The images are presented in a dream-like state, far from the messy and clutter we steep ourselves in.

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Posted in Art, Contemporary, Korea | 3 Comments
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